Mary Trunk is a Film Maker
with a history of creativity that also includes Visual Art & Dance. Mary
has just finished her feature length documentary film called, Lost In Living, which
explores the lives of 4 mother artists over a seven-year period.
As a budding film maker and social researcher myself
Mary's work is really exciting. As we all know, the soundtrack, visual &
physical coherence of our lives is irrevocably changed when we become parents.
Film is a great way to explore & perhaps more importantly show this, in its
noisy, often chaotic reality, to each other and the wider world. To see the
creativity in everyday life, as Mary discovered, and to find our own way of
embracing that.
Mary's Story
After a childhood full of responsibility
for young children, as the eldest of 7, I had made the hard and
definitive decision that kids would never be a part of my life…
Until I turned 38…
I thought I would give it a try, nothing would happen, and
that would be that. I got pregnant within a couple of months and then miscarried
at seven weeks. Which is one of those experiences,
much like birth itself, that you have absolutely no clue about until you
experience it yourself. It threw me into a major
tailspin of frantically wanting to get pregnant again. How one can go from being dead set against
children to ambivalence and then crazy desperation is beyond me, but I did. Everywhere I turned there were news stories about how difficult it was to even
conceive at my ripe old age.
Then…
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Two weeks after my mother died from a sudden heart attack I
managed to get pregnant with my daughter, Nuala, and gave birth at age 40. I was never so happy and so sad at the same
time. My daughter, Nuala, is now
10. She is the utter delight of my life.
The baby and toddler years were relentless,
often excruciatingly boring and mindless but oddly I managed to be more productive
than I thought I would. I was so afraid I would give up everything for the baby
and never be creative again, not
realizing that I had cultivated and nourished my creative self for forty years
and that wasn’t about to disappear quickly.
What did change was that my daughter became the priority in
every way. When I was much younger, success and recognition and ego were more
wrapped up in the creative work than they are now. Creativity for it’s own sake, the act of
expression and just putting the time in (when you can get it) have a value that
defies outcome, product and “making it.”
Frankly, it’s a relief when I can be in that place while I’m
working. And the work seems deeper and
more complex.
We moved from San Francisco to Los Angeles when our daughter
was one and a half. My husband worked long hours and I spent my days caring for
Nuala, trying to finish a film and attempting to keep up on the domestic chores
that were quickly getting out of control.
I joined mommy groups and play groups, met some other parents,
commiserated about baby stuff and still felt lonely and isolated. I was drowning and needed a life raft. So I turned my video camera on myself. I videotaped ten minutes of my day, every
day. Sometimes it was ten minutes of my
daughter sleeping, other times it was me folding laundry, one time I was giving
my screaming daughter a much needed antibiotic and another time it was my
husband and I arguing. All moments that
can occur in every person’s life. I did
this faithfully for an entire year, every single day. Somehow by sticking to this routine it
occurred to me that I was finding meaning and drama in the ordinariness of my
life. I was redefining the mundane world
of caring for a baby, managing a house and seeing it as art. Not only did this help me to finish my film,
it sparked the idea for my newest film, Lost
In Living. How were other mothers defining
and shaping their lives as parents and as artists?
Women don’t diminish as artists when they beome mothers. On the contrary, they see motherhood as nurturing the artist within and their art life nourishes them as mothers. Both identities can seem like a burden or a state of grace and both are necessary to understand and feel compassion for others.
I eventually found four women who not only represent some of my own struggles and achievements but have also taught me how the richness of their lives enriches their art. Through intimate verite scenes and in-depth interviews, this film illuminates how the choice of being a mother can affect not only one’s art and approach to creativity but also parenting expectations and failures, issues of friendship, marriages, domestic routines, age, feminist ideals, and most importantly who we are in the world.
Having the opportunity to discuss our lives as mothers and
artists with other women who straddle those same identities gives me the
courage and inspiration to keep working and continue to find value in that
work.
Bravery is...exposing your vulnerability
Imagination is...using your weaknesses as a source of inspiration
Generosity is...allowing others to be who they are
The Mother Artist Network (MAN) is an initiative of Jo Pollitt and Lilly Blue and BIG Kids Magazine. This inaugural mini MAN Festival has been curated in collaboration with guest editor and mother artist extraordinaire Vivienne Rogis to whom we are so grateful!
The Mother Artist Network is a place that invites BIG ideas and discussion about creative practice and motherhood. Through a forum of ongoing blog posts the MAN will feature voices of mother-artists at all stages of artistic engagement and motherhood. We very much hope you will contribute to the conversation by commenting below or emailing us at info@bigkidsmagazine to add your story to the mix.
